Make | Model | Description | Available | |
Neumann |
U-47 |
Condenser. Cardioid. Vintage 60's. FET Version. |
1 |
|
Neumann |
U-67 |
Tube Condenser. Multi Pattern. Vintage 60's. |
5 |
|
Neumann |
U-87 |
Multi Pattern Condenser. Vintage 70's. |
4 |
|
Neumann |
SM-69 |
Stereo, Multi Pattern Tube Condenser. |
1 |
|
Neumann |
KM-84 |
Small Diaphragm Cardioid Condenser. |
1 |
|
Neumann |
KM-54 |
Tube Small Diaphragm Cardioid Condenser. Rebuilt by Ben Sneesby to original specifictions in 2009. |
2 |
|
Neumann |
KM-56 |
Tube Small Diaphragm Multi-Pattern Condenser. Rebuilt by Ben Sneesby to original specifictions in 2009. |
2 |
|
Neumann |
KM-86 |
3 Pattern Small Diaphragm Condenser. |
1 |
|
Neumann |
KM-88 |
Multi Pattern Small Diaphragm Condenser. |
1 |
|
RCA |
DX-44 |
High-Fidelity Ribbon Mic. Bi-Directional. Excellent on about any source you can think of. Ours are from the late 30's/Early 40's. |
4 |
|
RCA |
DX-77 |
Polydirectional Ribbon Mic. We have the D (Vintage 1955) and DX (Vintage 1959) models. |
5 |
|
RCA |
Varacoustic |
Polydirectional Ribbon Mic. This design was the predecessor to the DX-77. Ours are from 1945. If you would like to use them for your session, please let us know in advance. |
4 |
|
RCA |
BK-4A |
Omnidirectional Ribbon-Pressure Microphone. Called the "Starmaker" by RCA for some reason. High fidelity, especially designed for television work. (1950) |
1 |
|
Turner Dynamic |
U9S |
Dynamic "uni-directional" althought it sounds more like an omni. Was designed for U.S. military applications in 1940. Sounds like it looks. |
2 |
|
Bees Neez |
Jade |
Boutique Large diaphragm tube condenser microphone designed around a military Spec NOS American Raytheon Subminiature vacuum tube. Hand built by Ben Sneesby at Bees Neez | 1 |
|
Unidyne |
III |
Predecessor to the Shure SM-57. They were made from 1960 until the late 70's. Ours are from the 70's | 2 |
|
Altec |
639A |
"Birdcage" This mic combines an omnidirectional dynamic and a Fig. 8 ribbon in one housing.
By blending the transducer signals different polar pattern can be acheived. | 2 |
|
Altec |
633 |
"Salt Shaker" Small, dynamic mic. | 2 |
|
Shure |
Beta 57 |
Good sounding, well built, general purpose dynamic mic. | 1 |
|
Shure |
SM57 |
General purpose dynamic mic. | 3 or 4 |
|
Shure |
Beta 58 |
General purpose dynamic mic. | 4 |
|
Shure |
SM81 |
Small diaphragm cardioid condenser mic. | 2 |
|
Sennheiser |
441 |
Good sounding dynamic mic. | 1 |
|
Sennheiser |
421 |
Good sounding dynamic mic | 2 |
|
Beyerdynamic |
M500 |
Unidirectional ribbon mic. Very, very bright. | 2 |
|
AKG |
C-414 EB |
Variable polar pattern condenser mic. We have two with the early model brass capsule and one with the later model mylar capsule. | 3 |
|
AKG |
C-535 |
Hand held hyper cardioid condenser mic | 1 |
|
Electrovoice |
RE-20 |
Good sounding cardioid dynamic mic. Designed to be more or less free of proximity effect. | 3 |
|
Electrovoice |
RE-15 |
Dynamic cardioid microphone. Good drum mic. | 4 |
|
Electrovoice |
RE-10 |
Supercardioid dynamic microphone. | 1 |
|
Electrovoice |
636 |
Omnidirectional dynamic microphone. | 3 |
|
MXL |
V67 |
Cardioid condenser microphone | 1 |
|
MXL |
V88 |
Cardioid condenser microphone | 4 |
|
MXL |
LSC1B |
Hand held multi pattern condenser microphone | 1 |